Cool Colorful Designs to Draw
Technically, drawing in colored pencil is only layering semitransparent colors on paper to create vivid paintings. Every color has iii qualities: temperature, intensity and value. The combination of these 3 qualities gives paintings an illusion of depth and grade, but the most important component in drawing all forms realistically is value.
Choosing the Hues
Hue ways color , such as green, cerise, blueish, etc. In the Munsell system every color has a color designation: Y=yellowish, P=purple, YG=yellow-green and and then on. When I plan out my drawing, I choose the overall color scheme for my artwork to create a specific mood and atmosphere. Is it going to be warm red, cool blueish, or neutral browns?
In this drawing I use the coordinating colors (blue-greens)-the colors of the sea to create an atmosphere of sea life in my artwork.
Still life with a blue vase and seashells, 9×12", colored pencil on paper.
Value in Drawings
Value is the lightness or darkness of a colour . On the Munsell calibration it ranges from 0 (pitch black) to 10 (the whitest white).
This paradigm shows the value scale with graphite pencils' designation, but the value scale concept applies to any painting and drawing.
Every color has a specific value range, pregnant that non all colors have the identical 0-10 value range. For instance, fifty-fifty the deepest yellows tin can't become equally dark as ultramarine.
Successful cartoon has at least 5 values. The correct values give the illusion of volume in my objects. The more than precise I am in finding the right value for each department in my drawing, the more 3-dimensional it looks.
Egyptian true cat, 9×12, colored pencil on newspaper
In this drawing, the dark values of the cat create contrast with the centre toned background.
Chroma and Layering
Chroma ways the highest saturation or brilliance of a colour . In a Munsell scale blush ranges from 0 to xvi, where 0 is a neutral greyness and xvi is the most pure, saturated color.
Colored pencil cartoon is much easier than painting, because you don't have to mix colors that much to find a hue of a particular value and color temperature, it's already in your box. Y'all can play with the colors deepening values through subsequent layering. In painting, you must mix the right color of the right value and color intensity at in one case .
Two peacock feathers, 5×7, colored pencil on pastelbord
Hither I utilize high-chroma violets in the vase and blue-greens in the peacock feathers. I gray downward the background some to create visual contrast.
Cartoon Do
When you crosshatch two, high-intensity (bright) colors, you lot reduce the intensity of both hues. If you juxtapose the intense colors instead of crosshatching them, y'all create a unlike visual affect. Also, a mix of two, low-intensity colors looks as complex as a mix of several high-intensity colors.
When y'all blend or burnish the surface, colored pencils go much brighter (the mineral spirits melt the wax in pencils, darkening and smoothing the surface).
Use of Grays
Dissimilar other mediums like watercolors, pastels or oils, colored pencils do non mix to grayness. Therefore, it's impossible to produce ho-hum, wishy-washy grays and browns. Because of this reason, manufacturers of colored pencils make a range of grays with diverse percentages of both absurd and warm color. A few grays are already included in big box sets, and a variety of grays is available every bit open up stock too. For instance, the Prismacolor Premier colored pencils have a wide range of values: Warm Greyness 10%, Warm Grey 20%, Warm Grey 30%, Warm Grey 50%, Warm Grey 70% and Warm Grayness 90%; Absurd Grey 10%, Cool Grey 20%, Cool Grey xxx%, Cool Grey l%, Cool Greyness 70% and Cool Grey 90%; French Grey x%, French Grey twenty%, French Grayness 30%, French Grey fifty%, French Grey 70%, French Grey 90%.
Creating Depth
Why do y'all need grays? Commencement, you tin can reduce the colour intensity of a particular colour or an area such as in a background, past applying the grays over your original color. Such intentional graying down of distant mountains or supporting elements moves them back, and brings the center of involvement frontward. Utilise it.
Increasing Intensity
2d, when grays are juxtaposed with high-blush colors similar red or blue, these already intense colors go even more than powerful.
The Reality of Intensity
Tertiary, we rarely meet objects, landscapes or what accept y'all in high-blush situations. In fact, information technology's quite rare. So past learning to command your color intensity with the grays (or with the complements), you lot can produce realistic, truthful to life images.
Cartoon Practice
Juxtapose cooler grays with warmer reds and yellows to see the result. Beautiful drawings show balance between the intense and subdued hues.
White fabric, nine×12, colored pencil on paper
In this drawing I utilise a range of warm and absurd grays, layering them over the colors (blues and yellows).
Color Mixing Nuts: Warm and Cool Colors & Designing Effectually a Colour
Color Temperature
Like in painting, colored pencils likewise tin can be cleaved down to cool and warm colors. Blues, greens, yellows, and reds-all take both cool and warm counterparts. For instance, ultramarine is a absurd blue (leans towards violet) and cerulean bluish is a warm blueish (leans toward yellow). Crimson red is a dark, cool blood-red (leans towards blue) and poppy crimson is a warm i (leans towards yellow).
Get to know your colour temperature by making colour charts . Also, mix them with their complements and whatsoever other colors you think will be useful to accept at a glance. Make a grid of overlapping horizontal and vertical strips of colour to tape these color combinations.
My mother, nine×12, colored pencil on uart paper
Here warm skin tones, the fur and the background contrast the cooler coat and hair.
Color Palette
Local Color
The natural colour of an object as it appears in normal light (red of the tomato, or green of the grass). Beginners ofttimes see only local colors in objects, flowers, etc. rather than the color combinations. Look at a diverseness of color fries in the Munsell book to get ideas on a range of possible hues.
Use local colors over the complementary hues to create rich surfaces. For instance, the complement of red is light-green. Apply a fleck of green under the ruby in your object and come across what difference in color it makes.
Drawing Practice
To brand your drawings sophisticated, mix at least two colors in whatever given area, rather than shading with a unmarried pencil.
Artists rely on both personal "palettes" and a color wheel to make color choices. You can design your drawings and gear up the mood for the pictures using monochromatic, complementary, or analogous color schemes. You can rely on either the Munsell color chips or the colour wheel to make your choice.
Monochromatic Colour Palette
One color such as red that changes in chroma and value.
Complementary Colors
Colors that are across from each other on the colour wheel, like yellow-violet, green-red and bluish-orange. Use complementary colors to neutralize some colors that don't describe the centre of interest. The saturation or intensity of a very bright cartoon can be easily controlled by applying a small amount of complementary color over its pure hue.
Analogous Color Palette
Colors adjacent to one another on the colour wheel. For instance, Red, Ruddy- purple and Imperial.
Have fun drawing!
About the Author
Russian-American artist, Veronica Winters paints full-time in Naples, Florida. Her articles and artwork have been published in many magazines. Her realist paintings showroom a pursuit of beauty, harmony and quietness. To contact the artist, utilise one of the links below:
- www.VeronicasArt.com
- YouTube: youtube.com/veronicasart
- FB: facebook.com/veronicasart
- Blog: https://veronicawintersartblog.wordpress.com
Pinterest: https://www.pinterest.com/veronica_winter/
Source: https://munsell.com/color-blog/color-theory-drawing-value/
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